Working from the Philadelphia office, she brings over fifteen years of experience in grassroots nonprofits, public history, and community organizing to this role. A focus during her ministry was building collaborative relationships between communities, both religious and secular. It is a lot to shift through so we created a blog-post to help synthesize the information in a way that makes it easy to understand what opportunities are available. Hill has previously danced as a guest artist for ModArts Dance Collective under the direction of Leah Tubbs as well as an apprentice for Forces Of Nature Dance Theater under Abdel Salaam. Prior to joining Goldstein Hall in 2012, Jason attended Brooklyn Law School with a focus on economic empowerment and community development. Even the most solidly built churches, synagogues, meetinghouses, and temples need regular maintenance and repair to remain physically strong. Sacred Places brings together a national network of expert professionals who understand the value of a congregations architectural assets, its worth as a faith community, and the significance of its service to the community at large. Through our training programs, information clearinghouse, and professional network, we have helped congregations in all 50 states. Consultant She received her M.Arch at Yale University, and was awarded the 2018 Bass Fellowship at the University of Cambridge to study the ecclesiastical architecture of Christopher Wren in London. Partners has been a research leader, defining and energizing the study of the public value of religious assets with our 1998 landmark study, Sacred Places at Risk: New Evidence on How Endangered Older Churches and Synagogues Serve Communities, and our 2016 study, Economic Halo Effect of Sacred PlacesSM. Amanda Iglesias is an architectural designer at Robert A.M. Stern Architects in New York City. She swings nine roles in Punchdrunks hit immersive show Sleep No More NYC, and she spent 2017 building and performing a new version of Sleep No More in Shanghai. This phase of our work will go through June of 2024. Want to keep your building in good shape? Want to read about model social service programs? These experiences shaped a profoundly community- and people-focused approach to preservation that combines engagement with economic development, grassroots organizing, and institutional networking. grichards@sacredplaces.org, Emily Sajdak Purchase a copy. Communications Manager We have compiled a list of resources to help you keep your buildings at their best. We will be making the selections based on geography (The Bronx & Queens get priority), openness, denomination variety, accessibility, public transit options, and interior spaces that are functional for the dance community. Once you have collected the information about your congregation, be sure to keep it organized and up to date. in the History of Art and Architecture from Middlebury College, and her M.Arch from the University of Virginia. Emily came to Partners in 2017 to coordinate and facilitate, the Preservation Alliance of Minnesota, the State Historical Society of North Dakota, and Calvin Theological Seminary. Rev. Capital Grant Submission: If a congregation is accepted into the National Fund program, a required period of consultation and technical assistance led by Partners The citys skyline of smokestacks and steeples along with his familys devotion to church engendered a deep fascination with the wide world of religious traditions and beliefs. Randi has worked on over $11B in commercial real estate transactions and has created programs resulting in thousands of artists receiving funding, free real estate consulting services, rehearsal space and opportunities for professional growth. The National Fund is generously supported byLilly Endowment, Inc. with additional support in 2019 from the Gerry Charitable Trust. A graduate of Princeton Theological Seminary, she has served churches of varying sizes as Senior, Solo, and Interim pastor in 5 states. Aside from work and research, one of his current projects is creating a photographic zine of sacred structures and gardens of Washington and Oregon. Committed to creating connections between people to find creative ways to work together, Bridget brings a deep understanding of church cultures; she seeks to help churches see themselves and their role in the community from a fresh perspective. As Grants Manager for the National Fund for Sacred Places, Lily helps manage grantmaking logistics while supporting congregations in the program. Select awards include: NYIT Indie Theater Champion, The Ellen Stewart Award, Indie Theater Person of the Year, member of the Indie Theater Hall of Fame and a Citation for Service by the New York City Council. Hill has earned a Bachelors Degree in Dance at Lehman College. She was co-awarded the 2020 RAMSA Prize to study Harlem architecture, history and placemaking. 2. Director of Strategic Partnerships Typically, 12-15 congregations that meet all of the eligibility requirements and exemplify Hill has previously danced as a guest artist for ModArts Dance Collective under the direction of Leah Tubbs as well as an apprentice for Forces Of Nature Dance Theater under Abdel Salaam. Senior Director of ProgramsThe Rev. 3. Partners for Sacred Places lives at the intersection of heritage, faith, and community. Fred Hardyway Consultant Exceptionally skilled in transforming under performing programs and operations into stable financial units, procuring strategic business partners, and cultivating community relationships. Each story fuels our capacity to help congregations, and we continue to expandour national reach by strategically growing our projects and work. She co-founded HEWMAN with Jason Collins and James Lindsay Harwell in 2014 to reimagine the traditional model of a dance company run by one choreographer by engaging individual artists with distinct voices to collaborate as equals in the creative process. Executive Vice President Strong familiarity with Black congregations is required, and familiarity with Philadelphias Black congregations strongly preferred. After studying art and architectural history at Oberlin College, Joshua returned to Paterson to begin a career in historic preservation, where, in addition to core services, he undertook grant writing and helped grow the Historic Preservation Commissions public programming. Partners is now celebrating thirty years of accomplishments in addressing these challenges, and has built a national movement based on its ability to assess issues, map assets, find solutions, and create optimism and hope for the future of our historic, purpose-built sacred places. We are asking anyone interested in participating in our program to fill out one of our participation forms. (Secretary), Turner McDowell Rowan, PLLC Board Directors Barbara Abrajano, East-West University Rabbi Michael Balinsky The Rt. Philadelphia, PA 19103 In 2016, she served as Assistant to the Artistic Director of Springboard Danse Montreal. FOR MORE THAN 25 YEARS, THE NATIONAL PARK SERVICE HAS BEEN PUBLISHING ITS. Nordic American Churches, Arts in Sacred Places Training in Philadelphia, Philadelphia Fund for Black Sacred Places, Transitioning Older and Historic Sacred Places, Sacred Places at Risk: New Evidence on How Endangered Older Churches and Synagogues Serve Communities, community outreach and space-sharing guide. Director of Strategic Partnerships (Arts in Sacred Places) David W. Watkins, III., Greater Bethesda Missionary Baptist Church, Faith & Form Awards Fort Worth, TX. Outside of work, Lily can be found volunteering with local mutual aid initiatives. 451 likes. Partners for Sacred Places provides equal employment opportunities to all employees and applicants for employment and prohibits discrimination and harassment of any type without regard to race, color, religion, age, sex, national origin, disability status, genetics, protected veteran status, sexual orientation, gender identity or expression, or any other characteristic protected by federal, state, or local laws. Project Coordinator dhenson@sacredplaces.org, Rachel Hildebrandt Consultant She is a founding member of the Young Professionals Board of City Lore, the founder of Representation Matters, and a Board Member at the Greenpoint Shul. She additionally holds certificates in fundraising and nonprofit leadership from Villanova University and Bryn Mawr College, respectively. Randi is an indie theater maker and artist with an arts advocacy and commercial real estate background. WebPartners for Sacred Places, founded in 1989, is the only national, non-sectarian, nonprofit organization focused on building the capacity of congregations of historic sacred places As Grants Manager for the National Fund for Sacred Places, Lily helps manage grantmaking logistics while supporting congregations in the program. Rochelle Stackhouse Associate Director of Community Engagement Senior Director of Programs It is intended to advise and encourage congregations to develop their own facilities into vital, active centers that serve children and families. Partners for Sacred Places (Partners) is the only non-sectarian, non-profit organization devoted to helping congregations and their communities sustain and actively use older and historic sacred places across Philadelphia and the nation. He was a Sparer Public Interest Law Fellow from 2009 2012. She received a PhD in Liturgical Studies from Drew University and has taught at several seminaries, most recently Lexington and Yale. What is it like living in Mecca? For residents, Islam's holiest Eligibility - National Fund For Sacred Places 2:You are vaguely worried that one of your major systems will eventually suffer catastrophic failure or-even worse-start a fire. Director of Transition Services Her studies focused on architectural conservation, with a particular interest in the stewardship of sacred spaces. The desert plains and valleys that throng with pilgrims every year are where, in the off season, she and family 1:You are spending more on utilities than you need to. Those buildings that are not at their best may need extensive renovation, or they may need something more basic-regular maintenance. In effect, rural Methodist churches are de facto community centers, just as their sister churches in cities. Partners is seeking performers of all kinds, dance makers, theatre artists, and musicians (individuals, co-ops, or organizations) to participate in this process. As a performer, Ingrid has also worked with Brian Brooks, Danielle Russo, and The Metropolitan Opera, and she was an actor in MacArthur award winner Martha Clarkes Angel Reapers at The Signature Theatre in 2016 along with Clarkes ongoing GODS FOOL workshop. If you are interested in sharing your space with other groups, this community outreach and space-sharing guide offers ideas and helpful tips. You can download it here:Common Bond Green Theology, Energy Efficiency and Historic Sacred Sites, The roof on your sacred place is your most important protection against weather and the damage it can do. Launched with support from the William Penn Foundation, the Exemplar Project sought to identify, spotlight, and build awareness of congregation-based programs and social services that are particularly innovative, affordable, and effective. Simon holds a BA in Economics from Swarthmore College. The Economic Halo Effect of Rural United Methodist Churches of North Carolina, published in December 2021, is the first statewide study of the economic impact of rural congregations. Rachel holds a Master of Science in historic preservation and previously wrote on a freelance basis for Hidden City Philadelphia. Sixteen historically significant congregations have been admitted into the [], The National Fund for Sacred Places, a program of Partners for Sacred Places in collaboration with the National Trust for Historic Preservation, works to help many of Americas most significant congregations advance the care and use of their historic properties. (Sacred Places or Performing Artist). Partners for Sacred Places brings together a national network of expert professionals who understand the value of a congregations architectural assets, its worth as a faith community, and the significance of its service to the community at large. IS STAINED GLASS PROTECTIVE GLAZING NECESSARY? Katherine Glaze Lyle, North Texas Annual Conference, The United Methodist Church, Most Rev. Sacred Sites (215) 537-3235 (fax) If thats a concern for you, appoint a staff member, council member, or other lay person to be maintenance supervisor. Selected artists should fit the following criteria: Partners is anticipating a large amount of interest from the NYC artistic community and would like to express that our slots are limited so as not to dilute the quality of our services. Workers completed the basement in 1913, the year of the cornerstone placement. The National Fund for Sacred Places is a program of Partners for Sacred Placesin collaboration with theNational Trust for Historic Preservation. Stephen Hill is a performer, choreographer, and dance scholar from Harlem, NYC. You may even want to secure a building conditions survey to learn the true state of your property. She is the co-founder of Wreckio Ensemble Theater Company, The Indie Theater Fund and IndieSpace. Before obtaining his law degree, Jason worked in public service for seven years, including as the administrative director at a not-for-profit research center and as the director of program support and development at the New York City Department of Health and Mental Hygiene (DOHMH). CONTACT INFORMATION: INTERFAITH COALITION ON ENERGY, 7217 OAK AVENUE, MELROSE PARK, PA 19027, (215) 635-1122. rstackhouse@sacredplaces.org. Her areas of expertise include public speaking and presentations, shepherding older and historic church buildings, and strategic visioning. He is the co-author of Sacred Places at Risk (1998) and Strategies for Stewardship and Active Use of Older and Historic Religious Properties (1996), author of Sacred Places in Transition (1994), and editor (from 1985 to 1989) of Inspired, a bi-monthly magazine with news and technical articles on religious property preservation. Playing a key role in Connecticut, Rhode Island, and Massachusetts forming a single new conference has been a wide impact example of that collaborative effort. WebPartners for Sacred Places is an American non-sectarian, non-profit organization whose mission is the support of older and historic sacred places by helping congregations and WebBoard of Directors Board Officers Robin E. Whitehurst, AIA (Chair), Bailey Edward Lynn Hunt Gray, Esq. Since opening its doors in 2008, the Chicago Office of Partners for Sacred Places has worked with more than 1,000 community-serving congregations representing the religious, racial, ethnic, and socio-economic diversity of the City. Here are several general articles on roofs: Slate roofs have a particular beauty and last a very long time, but they have particular needs as well. Much of Partners research has been integrated into tools that congregations can use to maintain their building, make new community connections, and raise funds. Familiarity with and comfort working with diverse denominational and faith traditions. Partners for Sacred Places, founded in 1989, is the only national, non-sectarian, nonprofit organization focused on building the capacity of congregations of historic sacred places to better serve their communities as anchor institutions, nurturing transformation, and shaping vibrant, creative communities. Bridget Fidler Lily Hamilton Senior Project Manager Director, National Fund for Sacred Places He is passionate about helping congregations see their historic buildings and properties as their greatest assets for community engagement with careful long term planning and stewardship. Lily is excited to be laying roots down in Philadelphia, but calls Virginia home. The only program of its kind in the [], Faith & Form Awards (215) 567-3234 Bridget Fidler has been an ordained minister in the United Church of Christ since 1999, serving two congregations in Connecticut during that time. Consultant bfidler@sacredplaces.org, Nancy Finegood The Economic Halo Effect of Historic Sacred Places was a national research study of 90 congregations in three cities, published in 2016, to calculate the economic contribution of urban sacred places to their community over $1.7 million per year! 7. Parish houses, parsonages, chapels, and other auxiliary structures, together with the principal buildings for worship, permit congregations to meet for daily or weekly services and also reach out to the community with vital ministries. Lily holds a Masters degree in Social Service Administration from the University of Chicago. As a cultural producer and strategist, Candace has worked with many organisations and artists bringing their works and visions to life. Communications Manager Director of Special Initiatives She has completed the classroom requirements for a Level One (ACC) coaching credential from the International Coaching Federation. We are happy to announce our continued collaboration with Dance/NYC, New York Landmarks Conservancy, and Goldstein Hall Law Firm. If your congregation is like most, three observations apply to you:No. Savona Bailey-McClain is Executive Director/Chief Curator of the West Harlem Art Fund, which has organized high-profile public arts exhibits throughout New York City for the past 20 years, including Times Square, DUMBO, Soho, Governors Island and Harlem. Proud to still be with our initial artistic partner, Dance/NYC, Partners remains committed to Dance/NYCs values of justice, equity, and inclusion and will strive for those same values in our artist participant selections. lhamilton@sacredplaces.org, Fred Hardyway Joining Partners in 2018 Craig brings nearly 20 years of experience as chief operating officer working in a nonprofit. While we will advise, assist, and act as a resource to all participants, the program at this time, does not provide any financial support or negotiate any individual space sharing agreements. Customize and manage a re-granting program to distribute approximately $1M to program participants for eligible planning and capital projects. Previously, Bob worked with the Philadelphia Historic Preservation Corporation as Senior Vice President for the Historic Religious Properties Program. Programs and services offered by Partners value and respect the spirituality and faith of all congregations that open their doors to the community. Through this partnership at least 100 houses of worship will be awarded $20 million over eight years beginning in 2016. But even the most solidly built churches, synagogues, meetinghouses, and temples need regular maintenance and repair to remain physically strong. This article explainswhat a conditions survey can do for you: Even without a conditions survey, simply documenting your house of worship can be extremely useful for posterity, especially in the event of catastrophic fire. 312-933-0611 Cell, Craig Nowlin Dance/NYCs values of justice, equity, and inclusion, THE NY COMMUNITY TRUST INVESTS IN PARTNERS PROGRAM FOR DANCE IN MANHATTAN AND BROOKLYN, Tues. June 13 @ 12pm-2pm (in-person lunch provided), Thurs.
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